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A handbook for writers that includes chapters on fiction techniques, heroes and heroines, plot and subplots, emotional impact, tension, focus, pace, setting, and language. Combining two writers’ styles, this book follows the premise that there is no one way to write.
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How to Teach Fiction Writing is a practical manual to help teachers of junior classes to focus on the key aspects of developing children’s storywriting. The book presents a series of essential writing workshops full of creative ideas and fun activities. It also offers a range of advice including how to set up and run an effective workshop and how to monitor NLS links. Workshops focus on capturing stories, characterization, creating settings, skilful paragraphing, writing in a variety of genres from myths and fables to adventures and science fiction, and writing style.
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Take a tour of space with “Space Travel” that explains science to help readers make fiction plausible. Readers will see what is real today and what may become real tomorrow.
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This book is about identifying the choices available when creating, fixing, steering, and discovering plots and then learning what narrative problems they are apt to create and how to choose an effective strategy for solving them. The result? Strong, solid stories and novels that move.
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Full of expert, effective advice from a producer and professional writer for 15 network television series, this book offers pragmatic techniques for constructing a compelling story and developing rich characters and extraordinary dialogue. In clear and concise language, this lively guide explains that the same methods used in the high-pressure world of writing for television can be applied to fiction storytelling in all its forms, from poetry, short stories, and novels to memoirs, stage plays, and movie scripts. Included is advice on such writing elements as building a story, constructing action sequences, creating memorable characters, developing scene structure,…
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Dialogue is perhaps the most powerful element in fiction. Whether writing novels, short stories, or scripts, you will learn how to utilize dialogue to dramatize conflict, the most effective balance between dialogue and other story elements as well as the difference between effective dialogue and real speech.
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When writers make their descriptions fresh, they move their stories forward and imbue their work with atmosphere. Monica Wood helps squeeze the greatest flavour from language and provides insight into how detail, editing, style, point of view and original word depictions can be used to create unforgettable images that will stick with readers for a lifetime.
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